Today is March 30, 2020
The Pandemic continues to swallow up Southeast Michigan and its 5 county area. In the past week so much has happened...travel bans (domestic and foreign), the total closure of our society (both State and National)...the term "social distancing" has become the new way of defining our personal space edicts. Additionally, "shelter in place" is the norm, and all gatherings of 10 or more are banned.
Our President has continually frightened and alarmed me since his emergence on the National scene as a candidate for the Oval Office...and unfortunately, he has never failed to stop terrorizing and disappointing the thinking and reasoning people of our fair Land. I can write a 500 page observational treatise on this poor excuse for a human being...and the Christian Conservatives who sold their soul to Satan for the chance to stack the Supreme Court with conservative justices, on behalf of the unborn. I am pro-life .... but I am pro ALL LIFE, not just the unborn...but the poor, the immigrant, the mentally ill, the disenfranchised, the hungry, the under employed, the frantic, the frightened, the ill, the elderly, the abused...but the Republican Party has become THE party of the Christian Right...and yet...their candidate is the most un-Christ-like individual I can imagine. What has happened to the separation between Church and State? How is it right for"Christians" to control our government? I AM a Christian...this phenomenon... these "Christians" who embrace this raunchy bully (I have lots of unsavory euphemisms for this man) is an abomination of our Savior and our values. Our President is at the very least, a very mentally ill man. He is unfit to serve. He is a sociopath, a malignant narcissistic philanderer, a pathological liar who is delusional and vicious. He routinely engages in gaslighting. He has many signs of cognitive decline (limited, concrete vocabulary, poor memory, poor self-regulation, inability to see the big picture, concrete thinking). He is a soul that totally lacks empathy for others. He is egocentric, grandiose and totally driven by his basal impulses. He has embraced conservative pundants who have actually stated that it would be acceptable to reopen our social/monetary economy, to "preserve the Union"; knowing full-well that this would place millions of older Americans in deep jeopardy of severe illness and death. This vicious and stealth Covid 19 virus is particularly happy to kill senior citizens (Age 60+)...and these loving, Christian Republicans have told us seniors to be willing to die for Trump's economy and the survival of the Republic! Pro-life??? I think NOT! A huge economic stimulus package has finally made it to this President's desk...so 1200.00 per adult will arrive...500.00 per child. Lots of other important provisions are included...unemployment payments, etc.
Bible study groups, harp lessons and chats with friends have moved to FaceTime, Zoom and FB Messenger. All medical and dental appointments have been cancelled. Texting and phone calls have become precious ways of connection. Thank God for the ability to have contact with family and friends via these web-based services...they help all of us remain close...while being in quarantine.
Finding groceries has continued to be the First World Version of hunting and gathering. Still significant shortages of meat, dairy, bread, flour, cleaning products, disinfectants, over the counter medicines and fever reducers and...of course...TOILET PAPER!
There are literally thousands of Michiganders who are infected with Covid 19 and hundreds who have died within a 3 week period. It is predicted that many, many more of our Mitten Heads will succumb to this horrid virus. This week, I found that I knew more than a few co-workers and community members who have tested positive...and a few who are fighting for their lives...on ventilators and kidney dialysis machines...alone...separated from loved ones. People are unable to be with their dying family...they can't say good bye...they can't bury their dead...they can't hold memorial services and remembrances...
May Good bless and protect us...from our President, from this catastrophic virus, from the meltdown of our national and global economy...I will write tomorrow about the slivers of light and hope that are emerging in this terrible dark valley....
I really do love each of you. Please be safe, shelter in place...stay the hell home...hug who you can...and pray for the guidance of our Heavenly Father...and the end of this torrent of pain and suffering.
The journey of a multi-instrumentalist using, voice, harp, guitar, hammered dulcimer, flute and whistles, to create original compositions and improvisation.
Saturday, April 25, 2020
Monday, March 30, 2020
Coronovirus,
This is the topic that is governing our lives in every way. Social interactions are curtailed and groups are on hiatus. The State of Michigan has proven to be in the frontlines of care and protection of our citizens. I am so proud of the leadership our State Government has provided and continues to provide to those of us who live in this beautiful State. As of March 16, 2020 all schools and universities are closed. Bars and restaurants must cease inside service and seating as of 3pm today. Carryout, drive thru and delivery services are allowed. Casinos are closed. There are restrictions on access to hospitals, physicians offices, rehabilitation centers, skilled care facilities, memory care centers...even churches and temples are buttoned up tight. All large group (of 50 or more attendees) gatherings are prohibited. Grocery shopping occurs via online ordering and curbside delivery. There have been some predictable, short term shortages (fever reducers, OTC pain relievers, Kleenex, disinfectants and sanitizers (hand sanitizers in particular)...but the most unusual shortage has been toilet paper! I am a bit confounded by this run on TP...as Coronovirus is not an intestinal illness. I know it is necessary for us to practice social distancing and shelter in place protocols...but TP shortages????
How are we to cope? In our family, the biggest change has occurred in preschool and daycare closures and the need for our littles (age 2 and 4) to be with Nana and Poppa 5 days per week. As the Nana, I love this...and of course as a teacher and speech pathologist with decades of child development experience...I am planning all sots of activities. Board games, reading, coloring, crafting, outdoor play, chalk drawing, singing, marching, playing all sorts of musical instruments, baking, cooking, kite flying, swinging, syrup making and an occasional at the farm movie nights (complete with popcorn and juice pouches) are on the agenda.
As a grown up, I am relishing this mandated focus on our home, farm and family. Our DIL Katie is a State of Michigan employee, and as such has been sent home to do her work. I applaud our Governor for taking the lead on limiting all types of unhealthy/risky group activities, and this applies to work location challenges. Bravo Governor Whitman! It is a great comfort to me to know that Katie is home, safe and healthy, and off the road. Since Josh, Katie and the girls live only 5 miles away, I can luxuriate in my family, their happiness and their safety.
On a personal level, I am using my time to continue a deep dive focus on my harp playing...with work on technique, repertoire and confidence building. I am continuing to write music and arrange music via Musescore. I am setting up my technology grid to support opportunities for FaceTime harp lessons. I am using online ordering for groceries and household goods. I am cooking yummy meals, playing with my granddaughters and completing our taxes (hey, not everything can be lilacs and unicorns...right?). And, I work on my prayer journal and my bible/devotional studies.
Therapeutic musician activities are focused on skill development at home. There aren't opportunities to play out for others at this time, as all locations are are buttoned down tight...as they should be. There have been some back channel discussions that I am aware of...hinting that school closures lasting until the end of the traditional school year will occur.
I have managed to get 22 songs under my hands on my double strung harps...this is a huge accomplishment for me, and it is really joyful to play my harps each day. We are healthy and savoring this time of being set apart.
Love to all.
This is the topic that is governing our lives in every way. Social interactions are curtailed and groups are on hiatus. The State of Michigan has proven to be in the frontlines of care and protection of our citizens. I am so proud of the leadership our State Government has provided and continues to provide to those of us who live in this beautiful State. As of March 16, 2020 all schools and universities are closed. Bars and restaurants must cease inside service and seating as of 3pm today. Carryout, drive thru and delivery services are allowed. Casinos are closed. There are restrictions on access to hospitals, physicians offices, rehabilitation centers, skilled care facilities, memory care centers...even churches and temples are buttoned up tight. All large group (of 50 or more attendees) gatherings are prohibited. Grocery shopping occurs via online ordering and curbside delivery. There have been some predictable, short term shortages (fever reducers, OTC pain relievers, Kleenex, disinfectants and sanitizers (hand sanitizers in particular)...but the most unusual shortage has been toilet paper! I am a bit confounded by this run on TP...as Coronovirus is not an intestinal illness. I know it is necessary for us to practice social distancing and shelter in place protocols...but TP shortages????
How are we to cope? In our family, the biggest change has occurred in preschool and daycare closures and the need for our littles (age 2 and 4) to be with Nana and Poppa 5 days per week. As the Nana, I love this...and of course as a teacher and speech pathologist with decades of child development experience...I am planning all sots of activities. Board games, reading, coloring, crafting, outdoor play, chalk drawing, singing, marching, playing all sorts of musical instruments, baking, cooking, kite flying, swinging, syrup making and an occasional at the farm movie nights (complete with popcorn and juice pouches) are on the agenda.
As a grown up, I am relishing this mandated focus on our home, farm and family. Our DIL Katie is a State of Michigan employee, and as such has been sent home to do her work. I applaud our Governor for taking the lead on limiting all types of unhealthy/risky group activities, and this applies to work location challenges. Bravo Governor Whitman! It is a great comfort to me to know that Katie is home, safe and healthy, and off the road. Since Josh, Katie and the girls live only 5 miles away, I can luxuriate in my family, their happiness and their safety.
On a personal level, I am using my time to continue a deep dive focus on my harp playing...with work on technique, repertoire and confidence building. I am continuing to write music and arrange music via Musescore. I am setting up my technology grid to support opportunities for FaceTime harp lessons. I am using online ordering for groceries and household goods. I am cooking yummy meals, playing with my granddaughters and completing our taxes (hey, not everything can be lilacs and unicorns...right?). And, I work on my prayer journal and my bible/devotional studies.
Therapeutic musician activities are focused on skill development at home. There aren't opportunities to play out for others at this time, as all locations are are buttoned down tight...as they should be. There have been some back channel discussions that I am aware of...hinting that school closures lasting until the end of the traditional school year will occur.
I have managed to get 22 songs under my hands on my double strung harps...this is a huge accomplishment for me, and it is really joyful to play my harps each day. We are healthy and savoring this time of being set apart.
Love to all.
Sunday, February 16, 2020
Welcome Back!
Well, updates are due! How have I been spending my time (musically), and how am I progressing on my journey to become a better harper, and a compassionate and appropriately credentialed Therapeutic Musician?
For starters, I have been diving deep into establishing a reliable and appropriate repertoire of pieces. I am focusing right now, on creating Mp3 files of music targeted toward young children and infants. I am deep into well-known children's songs and lullabies....so Twinkle Twinkle/Alphabet Song, All Through the Night, All the Pretty Little Horses, Mary Had a Little Lamb, Over the Rainbow, I Love You Up to the Moon, and Farm Boy's Lullaby are where I'm hanging my musical chapeau at the moment!
Additionally, I am continuing my harp lessons with the amazing Christa Grix, and working to master and use the MuseScore online software to commit my own music and musical arrangements to print. It is truly exciting to see my own compositions appear on the page...they look so professional.
One of the things I am mindful of, in this winter season, is the importance of self-care...the need to refill my vessel...to encounter things that make me smile, that inspire me and that bring a feeling of mastery. So, last night, I attended an amazing concert at the Owens Community College in Toledo, Ohio. This campus and its facilities are amazing. I was alerted to a wonderful concert opportunity by my friend Denise Grupp-Verbon, who is on the faculty of the Music Business and Harp department. The concert featured Nicolas Carter, a Paraguayan Harpist who is simply extraordinary! I have been treated to his music and harp mastery and beauty at least 5 times in the last 2 years, and I learn something and become more committed to my harp playing every time! What a wonderful way to refill my bucket! Best of all, I was accompanied by my friend/harp teacher Christa Grix and my sweet hubby Al, who genuinely loves Nicolas. We are blessed to call Nicolas and his wife Mari as friends...such blessings the harp has bestowed upon me!
So far, I am feeling much more accomplished in the music notation department of late... I have written and published an arrangement of Deck the Halls, an arrangement of Fairy Lullaby, and 3 original pieces which I composed: "Gravity" (a harp solo with optional guitar accompaniment), "I'm So Glad You Came My Way" (a lullaby dedicated to my granddaughters, Kinze and Kasten), and a Flute Trio "Flute Fantasy" a flute trio in 2 short movements that I wrote in 1972, at the age of 17, as a final exam requirement in an advanced Music Theory Class!
My original score of the trio, was laboriously hand notated, and is quite dog-eared...not because of frequent use, but because of age and benign neglect...LOL...so I took this afternoon, and did something I've dreamt about for 48 years...I professionally notated and published my musical score for "Flute Fantasy" including original and current copyright...can you believe it???? The thing is...this piece has only been performed ONCE...in the aforementioned Music Theory Class, as a final exam requirement...the thing is, I was one of the performers (along with my sweet flute friends Lauren Kemp Hanson and Diane Dinkgrave)...given the outrageous case of nerves I had that day...since I was performing in front of my friends, musical classmates and my Band Teacher, Mr. Burman....and the fact that my grade depended on a respectable performance....I remember absolutely NOTHING of the piece and how it ultimately sounded! So...Musescore has a very respectable flute voice...and it has the amazing ability to play what you notate...complete with dynamics and repeats...VOILA...today I really HEARD my original Flute Trio for the first time EVER...(well the 1st time in 48 years...but as I said....who remembers???) And...I feel that it has managed to hold up pretty well! I don't say that as a brag....but more, truly in the vein of UTTER AMAZEMENT...I am struck by the melody, the harmonies, the fact that I wrote 2 movements...an Allegro and an Adagio and that I utilized passing tones, unexpected harmonies and complex rhythms. I am so grateful for the music education (vocal and instrumental) with Mr. Eugene Dyer and Mr. Don Burman.
Other requirements need for the completion of this 1st phase of my CCM training: A picture of self with harp (for a brochure?), the competition of a lengthy multiple choice exam (done), A lengthy written exam (in process) and the three 10 minute Mp3 samples (also in process). There is light at the end of the tunnel!
love to all....Thanks for reading!
Lee
Well, updates are due! How have I been spending my time (musically), and how am I progressing on my journey to become a better harper, and a compassionate and appropriately credentialed Therapeutic Musician?
For starters, I have been diving deep into establishing a reliable and appropriate repertoire of pieces. I am focusing right now, on creating Mp3 files of music targeted toward young children and infants. I am deep into well-known children's songs and lullabies....so Twinkle Twinkle/Alphabet Song, All Through the Night, All the Pretty Little Horses, Mary Had a Little Lamb, Over the Rainbow, I Love You Up to the Moon, and Farm Boy's Lullaby are where I'm hanging my musical chapeau at the moment!
Additionally, I am continuing my harp lessons with the amazing Christa Grix, and working to master and use the MuseScore online software to commit my own music and musical arrangements to print. It is truly exciting to see my own compositions appear on the page...they look so professional.
One of the things I am mindful of, in this winter season, is the importance of self-care...the need to refill my vessel...to encounter things that make me smile, that inspire me and that bring a feeling of mastery. So, last night, I attended an amazing concert at the Owens Community College in Toledo, Ohio. This campus and its facilities are amazing. I was alerted to a wonderful concert opportunity by my friend Denise Grupp-Verbon, who is on the faculty of the Music Business and Harp department. The concert featured Nicolas Carter, a Paraguayan Harpist who is simply extraordinary! I have been treated to his music and harp mastery and beauty at least 5 times in the last 2 years, and I learn something and become more committed to my harp playing every time! What a wonderful way to refill my bucket! Best of all, I was accompanied by my friend/harp teacher Christa Grix and my sweet hubby Al, who genuinely loves Nicolas. We are blessed to call Nicolas and his wife Mari as friends...such blessings the harp has bestowed upon me!
So far, I am feeling much more accomplished in the music notation department of late... I have written and published an arrangement of Deck the Halls, an arrangement of Fairy Lullaby, and 3 original pieces which I composed: "Gravity" (a harp solo with optional guitar accompaniment), "I'm So Glad You Came My Way" (a lullaby dedicated to my granddaughters, Kinze and Kasten), and a Flute Trio "Flute Fantasy" a flute trio in 2 short movements that I wrote in 1972, at the age of 17, as a final exam requirement in an advanced Music Theory Class!
My original score of the trio, was laboriously hand notated, and is quite dog-eared...not because of frequent use, but because of age and benign neglect...LOL...so I took this afternoon, and did something I've dreamt about for 48 years...I professionally notated and published my musical score for "Flute Fantasy" including original and current copyright...can you believe it???? The thing is...this piece has only been performed ONCE...in the aforementioned Music Theory Class, as a final exam requirement...the thing is, I was one of the performers (along with my sweet flute friends Lauren Kemp Hanson and Diane Dinkgrave)...given the outrageous case of nerves I had that day...since I was performing in front of my friends, musical classmates and my Band Teacher, Mr. Burman....and the fact that my grade depended on a respectable performance....I remember absolutely NOTHING of the piece and how it ultimately sounded! So...Musescore has a very respectable flute voice...and it has the amazing ability to play what you notate...complete with dynamics and repeats...VOILA...today I really HEARD my original Flute Trio for the first time EVER...(well the 1st time in 48 years...but as I said....who remembers???) And...I feel that it has managed to hold up pretty well! I don't say that as a brag....but more, truly in the vein of UTTER AMAZEMENT...I am struck by the melody, the harmonies, the fact that I wrote 2 movements...an Allegro and an Adagio and that I utilized passing tones, unexpected harmonies and complex rhythms. I am so grateful for the music education (vocal and instrumental) with Mr. Eugene Dyer and Mr. Don Burman.
Other requirements need for the completion of this 1st phase of my CCM training: A picture of self with harp (for a brochure?), the competition of a lengthy multiple choice exam (done), A lengthy written exam (in process) and the three 10 minute Mp3 samples (also in process). There is light at the end of the tunnel!
love to all....Thanks for reading!
Lee
Sunday, January 12, 2020
My new goal for 2020, is to post more often, and with more focus. That said, life is what music is, so life will definitely impact my postings.
I am concentrating on simplicity...in my relationships, in my interactions and also, in my creation and playing of music. When playing in a therapeutic manner, the self is sublimated..not the major focus. Certainly, I need to be prepared, aware, knowledgeable and compassionate...but my ego needs to be checked at the door. The ownership of any positive outcomes for a patient and their family is not because of me...the "performer", (healing music is never a performance)..but instead requires me to be a compassionate giver of a musical gift. The music is given, and I step away. Certainly, I admit that it deeply matters to me that I do my best...but not for me...but instead, for the patient and their family.
Musically, my offerings need to become simple and beautiful...playing more simply requires a much different set of skills in order to be filled with beauty and healing. The shape of my hands, the openness of my arms and body, the proper contact of my fingers with the strings. These things bring beauty to the harp. Fundamentals are key. As a flute player, I've had more than my fair share of difficult musical scores. 16th and 32nd notes ascending into the 3rd and 4th octave at the speed of light...this type of playing involves a very specific skill set...and the beauty of these passages is often tied to speed, agility, breath support, phrasing and accuracy. Now, playing for others, as a tool for lessening pain, regulating pulse and respiration, supporting alertness, enjoining memories, or helping in transitions is totally different. Especially on a harp.
As part of my training, I work with a mentor. As such, I submit regular mp3 files of my playing...each sample geared toward the age and medical needs of the patient. There have been several huge adjustments that I have been asked to make...rhythm, tempo, phrasing, multi-focal playing, increase in repertoire...all have kicked my tush to the curb...but I have made progress. The hardest thing I've needed to do....the thing that continues to hang on in my playing...is my ability (or lack there of), to play simplistically but beautifully.
The harp is known for its employment of arpeggiated chords, glissandos and flourishes...these techniques are "signature moves" in the harp world. These devices can add beauty to the most simplistic of melodies...and often, these skills are often relegated in some form, to the left hand of the harpist....except...when playing at bedside. Healing music is pure, unadulterated, minimally embellished and made beautiful not by the number of notes played...or the speed...but by thoughtful technique...pure, beautifully and thoughtfully phrased...uncomplicated. As a musician, simple technique and musical phrasing can be VERY deceiving. It is a true skill to develop beautiful, full, rich tones...defined by hand position, finger placement, sustain, well-aligned pitch, and well placed pauses. The location of the hands on the strings, the pulling of the string into the palm...the relaxation of the shoulders...the fluidity of the arms and proper bend of the wrist all make each note sing. I am even learning that correct posture with a full and open thoracic cavity colors the voice of each note...and the overall sound of my harp.
My mentor, Pat, is a very knowledgeable and patient person. Time and time again, when hearing my Mp3 samples, she responds: "Stop using your left hand so much!" and "Declutter your playing!" and who can forget the ultimate admonishment: "Just put your left hand in your lap!" And so, I am forced to really listen to the way that I play...not the what...the way. Talk about humbling...and exciting.
How do I get these very important basics to become second nature? By having a deeply respected teacher with the patience of Job. I want to give great credit and thanks to my amazing harp teacher Christa Grix. She is stunning in her ability to get me to the basics, and she is helping me turn my playing into something beautiful, something healing and something magical.
Thanks and love Christa.
Thanks for Reading...
I am concentrating on simplicity...in my relationships, in my interactions and also, in my creation and playing of music. When playing in a therapeutic manner, the self is sublimated..not the major focus. Certainly, I need to be prepared, aware, knowledgeable and compassionate...but my ego needs to be checked at the door. The ownership of any positive outcomes for a patient and their family is not because of me...the "performer", (healing music is never a performance)..but instead requires me to be a compassionate giver of a musical gift. The music is given, and I step away. Certainly, I admit that it deeply matters to me that I do my best...but not for me...but instead, for the patient and their family.
Musically, my offerings need to become simple and beautiful...playing more simply requires a much different set of skills in order to be filled with beauty and healing. The shape of my hands, the openness of my arms and body, the proper contact of my fingers with the strings. These things bring beauty to the harp. Fundamentals are key. As a flute player, I've had more than my fair share of difficult musical scores. 16th and 32nd notes ascending into the 3rd and 4th octave at the speed of light...this type of playing involves a very specific skill set...and the beauty of these passages is often tied to speed, agility, breath support, phrasing and accuracy. Now, playing for others, as a tool for lessening pain, regulating pulse and respiration, supporting alertness, enjoining memories, or helping in transitions is totally different. Especially on a harp.
As part of my training, I work with a mentor. As such, I submit regular mp3 files of my playing...each sample geared toward the age and medical needs of the patient. There have been several huge adjustments that I have been asked to make...rhythm, tempo, phrasing, multi-focal playing, increase in repertoire...all have kicked my tush to the curb...but I have made progress. The hardest thing I've needed to do....the thing that continues to hang on in my playing...is my ability (or lack there of), to play simplistically but beautifully.
The harp is known for its employment of arpeggiated chords, glissandos and flourishes...these techniques are "signature moves" in the harp world. These devices can add beauty to the most simplistic of melodies...and often, these skills are often relegated in some form, to the left hand of the harpist....except...when playing at bedside. Healing music is pure, unadulterated, minimally embellished and made beautiful not by the number of notes played...or the speed...but by thoughtful technique...pure, beautifully and thoughtfully phrased...uncomplicated. As a musician, simple technique and musical phrasing can be VERY deceiving. It is a true skill to develop beautiful, full, rich tones...defined by hand position, finger placement, sustain, well-aligned pitch, and well placed pauses. The location of the hands on the strings, the pulling of the string into the palm...the relaxation of the shoulders...the fluidity of the arms and proper bend of the wrist all make each note sing. I am even learning that correct posture with a full and open thoracic cavity colors the voice of each note...and the overall sound of my harp.
My mentor, Pat, is a very knowledgeable and patient person. Time and time again, when hearing my Mp3 samples, she responds: "Stop using your left hand so much!" and "Declutter your playing!" and who can forget the ultimate admonishment: "Just put your left hand in your lap!" And so, I am forced to really listen to the way that I play...not the what...the way. Talk about humbling...and exciting.
How do I get these very important basics to become second nature? By having a deeply respected teacher with the patience of Job. I want to give great credit and thanks to my amazing harp teacher Christa Grix. She is stunning in her ability to get me to the basics, and she is helping me turn my playing into something beautiful, something healing and something magical.
Thanks and love Christa.
Thanks for Reading...
Tuesday, January 7, 2020
Welcome to 2020! I am back in the saddle and rested up, completely ready to continue my studies for my CCM! I am trying to improve in all areas of my musicianship, especially as it pertains to mastering the harp. I am sure that mastering such an instrument is a life long pursuit, and I have no illusions about this process....but I feel that any growth and improvement makes me more capable of ministering to others with harp and song.
I have been busy working on skills that are important to establishing good "Harp Habits". I have begun serious study twice monthly with a most excellent and accomplished teacher of the harp. Christa Grix is an astounding musician...creative, technically and musically accomplished, steeped in technique and dedicated to the harp as an extension of herself. What an amazing role model and mentor! She has been helping me to address many bad habits I have acquired as a self-taught harper....chief among these issues has been posture, arm position, hand position and correct contact with the strings to produce the most beautiful sound from my harp. Thumbs up! She is strict, but encouraging. She is exactly what I need...a teacher to hold me accountable and to continually challenge me.
Additionally I have begun to use Musescore, a music publishing program, to begin committing my many compositions to paper. This is a very good skill to have, as many of my songs are languishing on scraps of paper and old notebook pages. I was encouraged to begin this process by yet another important mentor: Carolyn Deal. She is the Queen of the Double-Strung Harp (My title for her!)
Her creative approach to the double-strung harp has literally blown open my skillset for this amazing instrument. I play both single-strung and double-strung harps...but...there are just literally hundreds of things that can been accomplished on a double-strung harp, that are not possible with one set of strings!
In November, Carolyn assembled a group of 6 double-strung harpers and asked us to contribute to a project she was envisioning....a booklet/folio of music containing 6 unique arrangements of a well-known Christmas Carol...our assignment: write and arrange this tune for the double-strung harp. The tune: Deck the Halls. What an honor and a challenge to be included in this group of excellent musicians!
The good news...I'm included...the challenge...learning to use a new music publishing app, while creating my unique arrangement...whew! Did I mention there was a time crunch? After all...what good is a rendition of a Christmas Carol after Christmas?? The victory: I met my deadline and was satisfied with my contribution. This folio of music has been available to hundreds of double-strung players via Carolyn's website, Patreon Page and on the Double-Strung Harp FaceBook Page. WOW!
My new and exciting news is that I have been asked by Eve Stone (the builder of all my double-strung harps: Stoney End Harps), and Denise Grupp-Verbon (the director and creator of my FAVORITE Harp Festival the "Harp Gathering"), to facilitate/present a workshop about the double-strung harp at the next Harp Gathering in May 2020. This is a huge, HUGE honor for me! It will be a "meet and greet" for anyone who is curious about the double-strung harp and its unique offerings to harp players. Eve is even providing several double-strung harps for the workshop, so participants can get their hands on one of these amazing harps. Even better, is that my amazing double-strung mentor Carolyn Deal has supported this undertaking and is going to help me with content, pacing and other suggestions! Gosh...this girl sure feels blessed beyond measure!
Well...back to music editing and writing for now...my current composition is entitled "Gravity" and was performed publicly last Sunday. It seemed to be well-received by my harp cohorts who also have the blessing of studying with Christa Grix. God is Good!
I have been busy working on skills that are important to establishing good "Harp Habits". I have begun serious study twice monthly with a most excellent and accomplished teacher of the harp. Christa Grix is an astounding musician...creative, technically and musically accomplished, steeped in technique and dedicated to the harp as an extension of herself. What an amazing role model and mentor! She has been helping me to address many bad habits I have acquired as a self-taught harper....chief among these issues has been posture, arm position, hand position and correct contact with the strings to produce the most beautiful sound from my harp. Thumbs up! She is strict, but encouraging. She is exactly what I need...a teacher to hold me accountable and to continually challenge me.
Additionally I have begun to use Musescore, a music publishing program, to begin committing my many compositions to paper. This is a very good skill to have, as many of my songs are languishing on scraps of paper and old notebook pages. I was encouraged to begin this process by yet another important mentor: Carolyn Deal. She is the Queen of the Double-Strung Harp (My title for her!)
Her creative approach to the double-strung harp has literally blown open my skillset for this amazing instrument. I play both single-strung and double-strung harps...but...there are just literally hundreds of things that can been accomplished on a double-strung harp, that are not possible with one set of strings!
In November, Carolyn assembled a group of 6 double-strung harpers and asked us to contribute to a project she was envisioning....a booklet/folio of music containing 6 unique arrangements of a well-known Christmas Carol...our assignment: write and arrange this tune for the double-strung harp. The tune: Deck the Halls. What an honor and a challenge to be included in this group of excellent musicians!
The good news...I'm included...the challenge...learning to use a new music publishing app, while creating my unique arrangement...whew! Did I mention there was a time crunch? After all...what good is a rendition of a Christmas Carol after Christmas?? The victory: I met my deadline and was satisfied with my contribution. This folio of music has been available to hundreds of double-strung players via Carolyn's website, Patreon Page and on the Double-Strung Harp FaceBook Page. WOW!
My new and exciting news is that I have been asked by Eve Stone (the builder of all my double-strung harps: Stoney End Harps), and Denise Grupp-Verbon (the director and creator of my FAVORITE Harp Festival the "Harp Gathering"), to facilitate/present a workshop about the double-strung harp at the next Harp Gathering in May 2020. This is a huge, HUGE honor for me! It will be a "meet and greet" for anyone who is curious about the double-strung harp and its unique offerings to harp players. Eve is even providing several double-strung harps for the workshop, so participants can get their hands on one of these amazing harps. Even better, is that my amazing double-strung mentor Carolyn Deal has supported this undertaking and is going to help me with content, pacing and other suggestions! Gosh...this girl sure feels blessed beyond measure!
Well...back to music editing and writing for now...my current composition is entitled "Gravity" and was performed publicly last Sunday. It seemed to be well-received by my harp cohorts who also have the blessing of studying with Christa Grix. God is Good!
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